Tuesday, December 21, 2010

Rock’nRoll is my Religion

‘When your idol’s rich and your guru’s smooth-talking’-Julie Burchill &Tony Parsons

Rock’nRoll as a religion is like Catholicism. Crowds gather to hear the messages punted through their icons and idols! They take your money with songs of praise as they get fat on your financial contributions, attendance and participation but most of all they draw strength and power from the belief in their supreme authority.

Hell, the way I see it that isn’t a bad thing. In fact I think its pretty awesome. Rock’nRoll’s a religion you want to be a part of. Like all religious organizations, the Rock religion offers its followers a sense of belonging and family.

We have our rules, ways to dress and not dress or speak and not speak. There’s the heirachy; the wags, the groupies, the girlfriends, the bands themselves -Rock Royalty you could say. And of coarse there are the gods! Dio, Iggy, The Beatles, The Rolling Stones, Bon Jovi, Janis Joplin, The Sex Pistols… -each and all have their wisdom to share and guidance to bestow.
Masses and masses of crowds gather in support of their esteemed leaders and await their pearls on how to live! Some would even die for their gods (or flash their tits in giant arenas).

There are territories claimed and wars waged on behalf of musical preference and elitist snobbery; people’s faces get smashed up for liking pop, you get evicted from clubs and venues for not fitting their image, there are venues reserved for certain types of music (and crews) and regular acts, timeslots allocated according to the profile of the band or who gets to play main stage at festivals. Many of the best bands are the underground ones with their cult-like followings and occasionally the breakout wave of popularity making the band fashionable like that wave of kabala-cool that totally stripped the religion of any integrity it once possessed.

The laws on our tablets are simple:
Sex.
Drugs.
And Rock’nRoll.

Money hadn’t quite made the list originally but if there were to be a Rock’nRoll New Testament it sure as hell would be in there!!

But back in the day there was another contender for fourth commandment; under the guise of “revolution”, Rock’nRoll was a tool for enlightenment. Everyone was doing the hippie thing. The Beatles embraced those weird Indian fretless sounds ala Ravi Shankar and Bob Dylan was whining country hymns. Mostly the bands (likes of Jefferson Airplane and Jimi Hendrix for example) devoted themselves to acid and LSD with religious zeal.
Everyone and anyone had been to a far off temple and returned with alternate tokens of their trip. Rock went on a journey of discovery from raw offensive honesty (the spirit of Rock’nRoll) to contemplative awareness and protest songs. It wasn’t as if backing the hippie ideals was a hardcore rebellious thing to do. The whole concept of revolutionizing the world was just as trendy and hip as going to Katmandu (that was “just like Butlins” according to Ringo Starr).
(Right is the Maharishi with the
fab four in 1968)

It was kind of an embarrassing time in Rock’nRoll history when the rich and the famous were running around their hotel rooms in imported leather jesus-sandals preaching the salvation of hallucinogens.

I have nothing against the enlightenment or the drugs. I do have a problem with the shoes. Bad style is just offensive. You wouldn’t catch Skid Row in a pair of strappy sandals.

Wednesday, December 8, 2010

Indoctrinating the Youth is very Rock'nRoll!

GUITAR WARS TOURNAMENT 2010

*Young and Pro Talent showcased at Guitar Wars Competition!*


Guitar Wars,the annual guitar competition for junior school learners with prizes sponsored by Marshall Music, is the brainchild of well-loved local rocker Jono Dose. The event was once again warmly hosted by Grove Primary School but this time budding musos rocked their hearts out at night. Official Guitar Wars t-shirts were on sale with designs by the talented Ian Jepson.

The winner of this year’s event, Daniel Newton (Rondebosch Boys Prep), went home with a beautiful Les Paul and free set-up by judge Gareth Travis of Marshall Music. He was joined on the judging panel by classical whizz-kid, Mark Rontsch and Charles Knighton-Pullin, the acclaimed lead guitarist of SABRETOOTH and Almost Famous Band.

The kids rocked harder than the previous year and came with their game faces on. They showcased their rhythm playing, promising shred solos, improvisation work and even some singing. They were also faced with an onslaught of ridiculous questions and some tough criticism.

After an array of challenging covers, well-known hits and own compositions, the final results came down to the age old classic debate of feel and energy versus technical ability. After a photo shoot and the awards presentation it was on with the show and time for the pros demonstration.

The audience was thrilled with a jam by Jono Dose (guitar), Stu Jepson (drums) and SABRETOOTH’s Ryan Swanich (bass).

The evening came to an end with a stellar surprise. Canadian singer/songwriter and pro blues (wo)man guitarist Natasha Meister joined them on the stage and wowed the crowd with her rendition of Valerie and a jam of her own material.

All in all a fantastic and well orchestrated event. Here’s hoping for more musical indoctrination of the youth in the future. Rock on!